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Kerala’s unique religious fabric — Hindu, Muslim, Christian — is woven into its cinema without the clichéd Bollywood “secularism song.” Films like Palunku (2006) explore Christian priestly hypocrisy; Sudani from Nigeria (2018) shows Muslim-majority Malabar embracing an African footballer; Kerala Varma Pazhassi Raja (2009) touches on tribal and Hindu royal histories. The Nadodi (folk) rhythms of Mappilapattu and the Chenda melam of temples have both been sampled, remixed, and honored.